Tuesday, 1 February 2011

Some Memories of the Prieuré

When I returned in March the Study House was being erected. It was an old hangar. Passing through a small lobby, one entered an almost square space with a low stage thrown out at the further end. Against the walls were couches for any who wished to rest, and a six foot foyer to which strangers were admitted; but the centre portion, divided from the foyer by a low partition, was reserved for the pupils alone. Against the partition were slightly raised seats, each covered by a goat-skin, which were allocated to the pupils, men on the right and women on the left. Mr. G.'s seat was a tented Divan on the right side of the entrance into the Central Square. The floor of the square was covered with Eastern rugs, and in the centre was a fountain with a slowly revolving disc of many coloured glass and the colour of the water appeared to change from minute to minute. The piano was in the foyer at the left of the stage. The stage was raised about fifteen inches and covered with linoleum, and the front sloped in a gentle curve to the floor. Again there was no sense of incongruity when a kid, that was being brought up in the kitchen came to the Study House one evening and, having discovered the slope, spent a happy hour slithering down it again and again.

The roof was covered with gaily painted cloths, interspersed with sayings from Eastern literature, also painted in large Arabic characters on cloth. All these were the work of pupils, carried out during a period of intensive work, and the thousands of sequins used in the decorations glittered continually in the changing lights of the fountain.

About nine o'clock Mr. G. entered the Study House, where the pupils were already quietly seated after their hard day's work, and the activities would continue until about 2 a.m. Mr. de Hartmann was at the piano. Many evenings we began with the six Obligatory Movements, after which the programme was very varied. The various large groups might be danced—the Initiation of a Priestess, The Dervish dance, the Big Prayer, the Little Prayer, the Enneagram—or there might be Eastern country and occupational dances. Or the evening might be devoted to the working out of new Movements.

At other times the activities took place in the centre. Seated on the floor we would learn the most complicated exercises, involving in one exercise the simultaneous use of legs, arms, heads, expression of emotions and

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