Urged to flee Paris before the Germans entered in 1940, Gurdjieff chose to remain in his modest flat at 6 Rue des Colonels-Rénard. Though well into his seventies, he was unsparing of his energies: giving individual counselling; teaching a new series of dances or Movements at the Salle Pleyel; and somehow maintaining in those sparse times the patriarchal hospitality of his audacious feasts. French interest in Gurdjieff — formerly slight — now burgeoned, drawing many intellectuals to him, among them René Zuber (1902–1979) the film director. His slim volume Who Are You Monsieur Gurdjieff? is a calm and fastidious meditation: confronted with the enigma of Gurdjieff and deeply concerned to situate him in relation to Christianity, Zuber is repeatedly brought back to question himself.
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